These organic, amorphous forms mark ERUEL’s first steps into ceramics — hand-built and glazed porcelain objects that translate her signature interest in texture, light, and emergent growth from large-scale concrete installations into a new medium. Inspired by biological and geological processes, the works combine matte and glossy surfaces with subtle color shifts, exploring the material’s capacity for translucency, fragility, and expressive deformation during firing.

The pieces represent a pivotal transition in the artist’s practice, shifting from monumental architectural surfaces to intimate, luminous sculptural forms. Completed during studies at Moscow Ceramic School (2024–2025), they lay the foundation for ERUEL’s ongoing research into contemporary ceramic expression, where porcelain becomes a vehicle for investigating hidden energy, organic emergence, and the interplay between control and chance in the creative process. Through delicate translucency and subtle glazes, these works capture fleeting moments of light and shadow, evoking a sense of quiet vitality and unspoken potential. By embracing the material’s inherent unpredictability—its tendency to warp, crack, or flow during firing—ERUEL transforms technical risk into poetic revelation, inviting viewers to contemplate the fragile boundary between intention and serendipity in both art and existence.